Sherlock Holmes [Blu-ray]

Back to the Fundamentals
After reading the reviews from some of the critics I was surprised by how many of them talked disdainfully about this movie as a divergence from the source material. I'm assuming many of them were relying on the old Basil Rathbone movies to color their interpretation of Holmes. They seem to overlook the fact that in the actual novels and stories penned by Doyle Holmes was an artistically tempermental, manic depressive, physically powerful individual who annoyed Watson by conducting experiments in their shared flat. He had been a prize fighter under another name, he was a cocaine addict and, according to "the Adventure of the Empty House" he was skilled in one of the earliest "mixed martial arts", Bartitsu (misspelled by Doyle as "Baritsu"). Watson was a formidable former Army doctor discharged due to complications from a shoulder injury sustained in heavy combat while serving in Afghanistan. In many ways their depiction in this movie is much closer to their depiction by Doyle than...

Not your grandmama's Sherlock Holmes
From the opening when horses seem to be galloping from the back of the theater, through the gray skies and industrial grime of the exteriors and the dinginess of most of the interiors, relieved occasionally by gorgeous jewel toned luxury, this Sherlock Holmes is grittier and much more raw then its predecessors--a Holmes for the millenium.

Robert Downey's Holmes is a brilliant brat. He borrows Watson's clothes without permission, insults Watson's fiance at their first meeting, and drives Mrs. Hudson to her wits' ends, but he's also a guy who knows his way around a boxing ring and the one you want on your side when facing doom in the form of Lord Blackwood, an executed murderer who resurfaces at the head of a black magic cult bent on world domination.

Jude Law's Watson is an understated sidekick to the flamboyant Holmes, but their relationship is more of a partnership than in typical Holmes/Watson duos. It's fun to watch the verbal sparring and exasperation which...

A surprisingly faithful adaptation
I've watched this version of Holmes a number of times now, and I must admit it surprises me in its subtlety and intelligence every time. As earlier reviews have noted, in the main this is actually a quite faithful representation of Holmes and Watson in light of the original stories (which I've read and, indeed, taught a number of times). At the same time, it's an excellent stylization of late Victorian England, and I think that's how it should be understood: at once a faithful interpretation that brings out all the pleasures of the original and a commentary on Victorian society as it transitioned into the twentieth century (which is, I'd hold, exactly what Doyle's stories were--a commentary on the modern). To quote from another well-known and frequently-adapted Victorian novel, it's "nineteenth century up-to-date with a vengeance."

The structure of the story itself could well be one of Doyle's original stories. It especially reminds me of "The Adventure of the Speckled...

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